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Plan-Séquence
Portugal
Приєднався 8 жов 2019
The Seventh Art, from all over the world, from all ages, for everyone.
Collaborations with:
Klassiki
Georgian National Film Center
Portuguese Cinemateque
Kyrgyzfilm
Cinema Department at the Ministry of Culture, Information, Sports and Youth Policy of the Kyrgyz Republic
Collaborations with:
Klassiki
Georgian National Film Center
Portuguese Cinemateque
Kyrgyzfilm
Cinema Department at the Ministry of Culture, Information, Sports and Youth Policy of the Kyrgyz Republic
Hiroshi Shimizu and Kinuyo Tanaka - Two Japanese Masters (w/ Miguel Patrício)
Plan-Séquence and Miguel Patrício, a Japanese film expert get together for comprehensive conversation on directors Hiroshi Shimizu and Kinuyo Tanaka. These two film artists have been somewhat overlooked and remained in the shadows of more famous native counterparts like Yasujiro Ozu, Kenji Mizoguchi, Akira Kurosawa, Mikio Naruse and other classic Japanese film directors. However, their legacy has suffered a revaluation more recently and they are now slowly being rediscovered, in an effort to push them towards their deserved status as utterly significant filmmakers in the country's history. In this dialogue, Miguel Patrício takes us far and beyond the directors’ films, shedding light on their ideas, motifs, life, unique and common threads with other great directors. This conversation is a shortened edit, you will find the full version in Plan-Séquence's Patreon.
Izakaya by Koji has kindly welcomed Plan-Séquence and Miguel Patrício for this conversation. Situated dead in the center of Lisbon, Izakaya by Koji is a traditional Japanese tavern, where one can appreciate well-known Japanese delicacies, whilst offering a broad selection of magnificent sakés. Plan-Séquence is incredibly grateful for their availability and sympathy in hosting this Japanese cinema talk, especially Fernando Silva and Denise Bonadia. Make sure to visit their welcoming space if you live or are thinking of coming to Lisbon in a near future.
Izakaya by Koji Instagram:
izakayabykoji
IBK Phone Number:
21 152 6721
IBK Location:
g.co/kgs/oGUB9Nf
CC do Marquês de Abrantes 140, 1200-808 Lisboa, Portugal
Follow Plan-Séquence on Instagram and subscribe on Patreon for additional and exclusive content.
IG: plan_sequence_cinema
P: www.patreon.com/plansequenceshot
Opening track by MOMIZizm Music:
music.storyinvention.com/en/
Izakaya by Koji has kindly welcomed Plan-Séquence and Miguel Patrício for this conversation. Situated dead in the center of Lisbon, Izakaya by Koji is a traditional Japanese tavern, where one can appreciate well-known Japanese delicacies, whilst offering a broad selection of magnificent sakés. Plan-Séquence is incredibly grateful for their availability and sympathy in hosting this Japanese cinema talk, especially Fernando Silva and Denise Bonadia. Make sure to visit their welcoming space if you live or are thinking of coming to Lisbon in a near future.
Izakaya by Koji Instagram:
izakayabykoji
IBK Phone Number:
21 152 6721
IBK Location:
g.co/kgs/oGUB9Nf
CC do Marquês de Abrantes 140, 1200-808 Lisboa, Portugal
Follow Plan-Séquence on Instagram and subscribe on Patreon for additional and exclusive content.
IG: plan_sequence_cinema
P: www.patreon.com/plansequenceshot
Opening track by MOMIZizm Music:
music.storyinvention.com/en/
Переглядів: 523
Відео
Jallikattu - Entertainment Done Right
Переглядів 3732 місяці тому
Lijo Jose Pellissery's Jallikattu is quite the experience, a rambunctious and wildly dynamic Indian film in Malayalam language that has everything an entertainment production should have and does it mostly right, especially from a cinematographic standpoint. It is well worth a look. Music by: Rajesh Cherthala Instagram: plan_sequence_cinema Patreon: www.patreon.com/plansequenceshot
Three Polish Films on Klassiki in 2024
Переглядів 7063 місяці тому
Three Polish classics by great directors have just been added to Klassiki's library that you need to watch. Tadeusz Konwicki, Andrzej Wajda and Wojciech Marczewski are all significant figures in Polish cinema and the works here presented are some of their finest creations. Check out Klassiki and use code PEDRO50 to get a discount on its subscription. Klassiki Website: klassiki.online/ Klassiki ...
10 Shots in Saltburn - A Visual Analysis
Переглядів 4163 місяці тому
A selection of ten of the most impressive, cool and stunning shots in Saltburn. In it, I walk through this selection, highlighting its main cinematographic features, such as light, colour, composition, depth, texture, symmetries, and more. Music: Saltburn OST, by Anthony Willis: www.amazon.com/Saltburn-Original-Motion-Picture-Score/dp/B0CN8T21XQ Franz Schubert - Complete Works for Violin and Pi...
The Sky of Our Childhood (Bakai's Pasture, 1966) - Небо нашего детства
Переглядів 3954 місяці тому
A stunning masterpiece of world cinema, "Bakai's Pasture" (Небо нашего детства / Бакайдын жайыты) is one of the most significant cultural artifacts in Kyrgyz culture, a truly encompassing time-capsule riddled with nostalgia and socio-cultural commentary, expansive ecological ideas and breathtaking cinematography. This essay delves into the film's conception and production, the director's life, ...
A Conversation with DoP João Ribeiro AIP
Переглядів 7715 місяців тому
Plan-Séquence has invited Portuguese DoP João Ribeiro AIP for a glass of wine and an informal conversation about his work and cinema in general. João Ribeiro, AIP is one of the most creative and talented cinematographers working in Portugal. With an extensive career, he has worked with many significant Portuguese film directors, and has also shot plentiful films abroad. His extensive knowledge ...
Conscience (Совість, 1968) - A Ukrainian Masterwork by V. Denysenko
Переглядів 7809 місяців тому
On this video a Ukrainian masterwork from the 60's that has been rescued from destruction but which unfortunately still remains rather obscure, is presented to a modern audience for rediscovery, with its unflinching portrayal of barbarism, armed resistance, stunning aesthetics and ethical dillemmas as highlights. As of today, once again Ukraine has been attacked by a foreign aggressor, with Rus...
Shepitko's Heat (1963) - A Kyrgyz Classic (Зной, Аптап)
Переглядів 96010 місяців тому
"Heat", by famed Soviet-Ukrainian director Larisa Shepitko as her feature film debut, is one of the most significant films in Kyrgyz cinematography. A classic product from the extensive roster of Kyrgyzfilm National Film Studios, it showcases inspired, dynamic, passionate, effective filmmaking and storytelling from the Soviet era. "Heat" is one of the first great contributions of Kyrgyz nature ...
10 Great Shots in The Return (Zvyagintsev, 2003)
Переглядів 2 тис.11 місяців тому
In 2003, Andrei Zvyagintsev has his feature film debut on theatres, The Return, snatching a Golden Lion at the Venice Film Festival, and many other prizes around the world, with a road movie of great emotional depth, with outstanding acting and cinematography. In this video, the film's aesthetic is explored by studying 10 different shots, individually framed, to better understand Zvyagintsev's ...
Roger Deakins' Cinematography on Sid & Nancy (Cox, 1986)
Переглядів 767Рік тому
As one of the finest cinematographers of all time, Sir Roger Deakins needs no introduction. In Sid & Nancy, he brings much verve and vibrancy in tune with the hectic life and music of Sid Vicious of Sex Pistols fame. This video showcases some of the shots that stick to mind. Criterion DVD and Blu-ray: www.criterion.com/films/535-sid-nancy
235,000,000 (1967) - A Soviet Documentary
Переглядів 1,4 тис.Рік тому
235,000,000 is a leap into another era, a peek into the Soviet Union during the 1960's, a period special for a variety of reasons. Without narration, the film crosses the huge expanse of the country, eyeing the multifarious languages, geography, traditions, fauna and identities spread, with much sensibility and creative ingenuity. Inserted in the vast Poetic School of Baltic Documentary, the wo...
TARKOVSKY'S MIRROR - Part 5: Home, Apology, Angst & Literature (Zerkalo / Зеркало)
Переглядів 2,9 тис.Рік тому
This video constitutes part 5 of the exploration of Tarkovsky's masterwork Zerkalo (Зеркало). This part seeks to shed light on the constituents of the protagonist's home, the indirect apology by Tarkovsky to his mother, Maria's (Margarita Terekhova) frame of mind on the print works sequence and the literary references on the same sequence. Mirror - Criterion Blu-ray and DVD: www.criterion.com/f...
We Are Our Mountains (1969) - An Armenian Masterpiece
Переглядів 1,5 тис.Рік тому
We Are Our Mountains (1969) - An Armenian Masterpiece
The Last of Us and Stalker: A Visual Comparison
Переглядів 1,8 тис.Рік тому
The Last of Us and Stalker: A Visual Comparison
Why Watch Art/Indie/Alt Cinema? - Take 1: Actors
Переглядів 1,3 тис.Рік тому
Why Watch Art/Indie/Alt Cinema? - Take 1: Actors
Laughing with Eldar Shengelaia - 90th Anniversary (ელდარ შენგელაია)
Переглядів 848Рік тому
Laughing with Eldar Shengelaia - 90th Anniversary (ელდარ შენგელაია)
Angelopoulos and his Films (feat. Assoc. Prof. Angelos Koutsourakis)
Переглядів 1,1 тис.Рік тому
Angelopoulos and his Films (feat. Assoc. Prof. Angelos Koutsourakis)
Stromboli's Cinematography - The Subtle and the Sublime
Переглядів 2,4 тис.Рік тому
Stromboli's Cinematography - The Subtle and the Sublime
GEORGIAN MASTERPIECES: Pirosmani - ფიროსმანი (1969)
Переглядів 6 тис.2 роки тому
GEORGIAN MASTERPIECES: Pirosmani - ფიროსმანი (1969)
Ukrainian Poetic Cinema (feat. Prof. Joshua First)
Переглядів 1 тис.2 роки тому
Ukrainian Poetic Cinema (feat. Prof. Joshua First)
GEORGIAN MASTERPIECES: Alaverdoba - ალავერდობა (1962)
Переглядів 2,3 тис.2 роки тому
GEORGIAN MASTERPIECES: Alaverdoba - ალავერდობა (1962)
Meeting Aleksander Rekhviashvili (1938 - 2020) (ალექსანდრე რეხვიაშვილი)
Переглядів 1,5 тис.2 роки тому
Meeting Aleksander Rekhviashvili (1938 - 2020) (ალექსანდრე რეხვიაშვილი)
The Magic of Landscape in the Mist: Part 2 (Theo Angelopoulos)
Переглядів 3,3 тис.2 роки тому
The Magic of Landscape in the Mist: Part 2 (Theo Angelopoulos)
A Philosophical Interpretation of Stalker (feat. Prof. Moeller of Carefree Wandering)
Переглядів 8 тис.2 роки тому
A Philosophical Interpretation of Stalker (feat. Prof. Moeller of Carefree Wandering)
TARKOVSKY'S MIRROR - Part 4: Fire, Epiphany, Silence & Words
Переглядів 7 тис.2 роки тому
TARKOVSKY'S MIRROR - Part 4: Fire, Epiphany, Silence & Words
Ukrainian Cinema: A Tribute - Реверанс українському кіно
Переглядів 5 тис.2 роки тому
Ukrainian Cinema: A Tribute - Реверанс українському кіно
Bergman and Love - Valentine's Day Special
Переглядів 1,2 тис.2 роки тому
Bergman and Love - Valentine's Day Special
The Bleak Poetry of Limite (Peixoto, 1931)
Переглядів 3,4 тис.2 роки тому
The Bleak Poetry of Limite (Peixoto, 1931)
SOVIET CULT FILMS: Walking the Streets of Moscow - Я шагаю по Москве (1964) - Daneliya
Переглядів 3,4 тис.2 роки тому
SOVIET CULT FILMS: Walking the Streets of Moscow - Я шагаю по Москве (1964) - Daneliya
WHAT a movie!
@@Mr.SharkTooth-zc8rm Unforgettable, indeed!
@@PlanSéquenceFilmArt Yes.
11:00 My first Angelopoulos (I’m Greek). Around 1985 probably, I was 15 and my brother brought the 12th grade new History schoolbook which I found amazing. It was about 20th century and had an extended section about art, including 5-6 pages about world cinema and maybe one about Greek cinema. This page mentioned only 4 Greek directors (Tzavelas, Cacoyiannis, Koundouros and Angelopoulos), so I was intrigued that I knew nothing about the most recent one, or by the fact he was already in history books. This is a different era, the pro-internet era, there are no DVDs or even VHS in Greece, there’s only television with 2 channels and everything it plays we watch it anyway. Maybe a few months later, the TV announces the Traveling Players will be broadcasted for the first time (in 2 parts), which is considered a huge event. I sat down and watched it, I remember in the first 5 minutes instantly appreciating the line “Won’t you collect your bastard” as about how such a short line is poetic, realistic and revealing at the same time. I didn’t understand much, I was confusing the persons (who is who), I didn’t get the Oresteia connection, I didn’t get the change of era within the same shot, many of the political and historical references and much more but I was certainly impressed by all the other aspects. By now I have seen all of his films, by an average 6-12 times each, I even played as an extra to watch him working at close and I really love him and feel he defined my development.
@@thessaloniki9653 Thank you for sharing your experience with the films and process of Angelopoulos. He truly is one of the defining filmmakers of the past half century and one of my personal favourites. A hugely influential and remarkable artist.
Censored in 2024 by UA-cam
@@user-ms8hz7ui3i Unfortunately that's the fate for a creator on this platform nowadays. Either you censor yourself or UA-cam will forcibly censor you, if it goes against their guidelines, which can sometimes be somewhat ludicrous. This is a magnificent film, a veritable work of art, that deserves to be discovered by all people in its entirety.
Nice conversation, great content, I would like to see more of this style, Japanese cinema has a lot that is worth discussing, seeing and reviewing, definitely one of the most important countries in the history of cinema.
@@_diogo_lima Absolutely, Diogo. Thanks for the support, as usual. Looking forward to see more content from you as well!
Thank you for making this
You're very welcome, my friend. All the best to you.
Just finished watching it. Movie was trash
@@animalblundetto6510 Well, that's unfortunate. What didn't you appreciate in it, if I may ask?
Great analysis, excellent job. It made me appreciate more that the cinematography of this incredible film is superb.
@@manumyon7999 Thanks Manu Myon, glad you have appreciated it. Cheers.
But when the guy meets the real director is reenactment or real?
@@brandonhamaguchi Who knows? I'll leave that for you to decide. However, one can also ask, does it change the emotion you feel in that scene? Cheers.
このよな
@@artophile7777 ありがとう、友達
I had a fun time watching a Portuguese man talk about japanese films in English.
@@registered_dodo1743 Haha, nice one mate, it's the wonders of international cinema exploration I guess? Cheers!
I see Kinuyo Tanaka, I click.
@@drag0n856 And quite deservedly, what an amazing artist she was in so many ways.
Great interview! Never thought about Shimizu as an "unsung master" but in a way it is true. But still more people ("in the west") know Shimizu than for example Heinosuke Gosho. Hope to see more about Japanese cinema on your channel (I have to find my way back to my old love for Japanese films). Now I want to watch Sound in the Mist. :-( One of my favourites by Shimizu (I feel that nobody talks about that film ever) is: Mr. Shosuke Ohara.
@@the3rdpillblog934 Really intend to explore more Japanese cinema in the future. Hopefully Sound in the Mist will get a proper re-release in the upcoming years, it truly is one remarkable film.
Hiroshi Shimizu is so underappreciated!
@@deathdoor It truly is, hopefully that will change in a near future, efforts are underway...
Hey there! Thank you for the video as always. Time to learn about these directors. Saludos desde Uruguay!
@@evilsouth5053 Saludos, compañero! Hope the video sparks your curiosity and entice you to explore their works. All the best, mate!
must read Tarkovsky's "Sculpting on Time". about film and art written by Tarkovsky. Strange these 2 don't talk about Tarkovsky's influence of Poetry on his film. His father was a great poet.
@@laikakhan1313 Hey mate. I've cited "Sculpting in Time" multiple times during my other videos on Tarkovsky's Nostalghia and Zerkalo, together with Arseny's poems too. I also talk more extensively about "Sculpting in Time" in my "10 Film Books" video, since it is one of the defining books on Cinema for me. All the best to you, buddy.
@9:18 Per Oscarsson
Yes.
és portugues?
@@joaotome7916 Sou pois, o meu sotaque "tuga" certamente traíu-me...
I thought it was shit
@@grujber7342 Why did you dislike it so much, Grujber?
It insists upon itself
@@grujber7342 Could you ellaborate on that?
I couldn't even finish it
Quite annoyed by the narrator's monotone voice with few pauses to let us concentrate on the film excerpts. Give us some pauses please! Some of the scenes from Grand Illusion were presented out of order.
@@armanddeperdussin3897 Quite annoyed by the user's lack of awareness regarding the fact that this was one of the first videos done for this channel. Cut us some slack please! All the scenes from all the movies presented here were out of order.
Great film, wanna read the book.
@@saneman751 Me too, man!
Incredible, a little dissapointed that this is the last part of the serias that you completed. Still, I am grateful for your content.
Hi Ana, thank you so much for your appreciation! This is not the last part, there is at least a Part 3 coming, but I've been postponing it with the many other uploads that got in the way. Hopefully I'll do that in 2024. Thanks again and wish you the best!
Fantastic. Appreciate your efforts. Keep it up
Thank you very much, sir.
Lijo Jose Pelliaseri or LJP, as he is called affectionately by us fans, is one of the finest in contemporary Malayalam cinema. Please please do a video on his film Nanpakal Nerathu Mayakkam. I think you won't be disappointed. I also want you to note down one more name in contemporary Malayalam arthouse cinema - Don Palathara.I request you to watch the following films of Don: • 1957, Central Travancore • Vithu • Family
Hey my friend, someone recommended me this film some time ago with a comment on this channel, wasn't that you? I think it was! But thanks for those suggestions, I'll certainly give it a look when I have the time. All the best!
My pleasure! Also if you are going to checkout Aravindan, do watch Kummatti. I don't remember if I have recommended you Nanpakal before 🤔 Anyway I loved that film 😇 Also do not forget Don Palathara 😍
Will have to check this out. Hope you're well.
Yes, it's carefree entertainment old-school style but with a modern vibe and striking cinematography. I think you might appreciate it. I'm doing well, just extremely busy lately. But there's something special coming soon...
Thanks for review🙏
Thanks for the commenr, my friend.
it's Abbas Kiorastami's brilliant in a shape of simple story plot, an Artistic Masterpiece. It's Abbas Kiorastami's "Art for the Art's sake idea....👌👌👌👌👌
Yes, absolutely, Kazi! Cheers!
I found the two unknown cyclists clad in yellow rain coats on bicycles, enigmatic . They also appeared in a scene in 'Eternity and a Day'.
They appear in several of Angelopoulos films, The Suspended Step of the Stork too, and they have specific symbolism which I'll explore later on.
Whatever symbolism they might carry...they themselves look so ......mystic. They had their own beauty in an inexplicable way. Tarkovsky also explored things in his films which are beautiful in their own way. Critics later themselves made symbolism and metaphors. That's why according to Tarkovsky his films were best understood by children who don't judge or conclude.
@@feriwaala6316 Yes, that's very true, but in Angelopoulos, these men either perform specific tasks, or appear in thematically connected moments of the same nature. Once one understands that, the meaning of their appearance, together with the intrinsic beauty and appeal of their presence, acquires an even greater power. Cheers.
A fantastic film....One of my all time favorites.
Indeed, such an astounding film work.
Интерестенгли)) Спасибо большое за разбор!!
Спасибо, мой друг.
Amazing
This is really fantastic! I have such huge blindspots about film and this has shown a path to more amazing cinema and history I was unaware of. So thanks for the great video, I love the feeling of excitement I get from being introduced to rad films outside of my knowledge and experience. Thank you!
Hey Wolf Mike, your comment is the kind of interaction that really leaves me quite joyful. The fact that I managed to introduce you to a film you haven't heard about or seen really justifies and reinforces the reason why I produce this kind of content, so thanks for sharing that with me. All the best, my friend.
thank you so much. these episodes are coming out wonderfully and are eagerly awaited. Just one comment though, I sense your narration speed has increased over the episodes. A little slower narration will go well with the videos.
Hey Sudheendra, glad you have enjoyed and thanks for the feedback, I always welcome any suggestions that might help me improve the content here, so I'm really grateful. All the best, my friend.
🤝
Great work my dear keep going
Are there any general film magazines you recommend?
I read mostly books on Film but I learned a lot about world cinema with Sight & Sound and concerning cinematography specifically, American Cinematographer is also pretty good.
Thanks so much. The "holy fool" archetype in Russian culture, I think, is an important undercurrent in this and other Tarkovsky films. The tonal quality of Arseny Tarkovsky's poetry makes me wish I spoke Russian.
You're quite welcome, my friend, and you're definitely right regarding the role of the holy fool in Tarkovsky's oeuvre. All the best.
Czemu cypis jest w tle xddd
Ma to na celu przyciągnięcie młodych ludzi do odkrycia czegoś nieznanego i wyrafinowanego, przyjacielu! 🤫
Great recommendations! Could you recommend any more relatively unknown Eastern European masterpieces for someone who’d like to see more?
Thanks. I sure can, there are so many obscure and little known masterworks from that region. I'll tap into that in a near future video, stay tuned buddy. Cheers.
thanks i gotta check out eastern european movies in general.
Oh man, there's so much to discover from Eastern Europe, it's a boundless microcosmos of Cinema. I'll be sure to make some more recommendations in the future. Cheers.
recommendations would be great . thanks for making these videos you have great taste in movies.
@@jimyhustle Thanks, all the best to you, my friend.
Everyone’s a critic. It’s a beautiful film for its time and intention. Other films followed with different agendas. All are valuable.
Yep, that sounds quite fair to my ears. Thanks for the input, mate.
Brilliant essays brother. With the insights you have given so far about this film its now become an experience that is more whole and autobiographically complete. I am not a russian speaker nor was interestwd in Russia in general but was introduced to Russian culture present and past through Tarkovsky and Dosteyevsky. And to be honest my views about life have changed through these two people. One should not shy away from taking into account that orthodox christian roots and spiritual style of poetic imagery tarkovsky uses. After watching all of his films i am sure he was a deeply religious man. He is on the same realm as Maulana Rumi and muslim and orthodox mystics. Rumi's craft were words and his craft is Time itself. There can never be any other artist like Tarkovsky ever. Thanks again
Thank you for your appreciation and impassioned response, dear Nabeel. I'm glad you have found these videos helpful or informative in some way. I too agree that Tarkovsky was an artist without comparison, with a very singular vision, and definitely a spiritual man. All the best to you my friend.
Outstanding analysis of an outstanding and still singular film. Sluizer never managed to replicate this brilliance with his American films but this stands the test of time long after him
Hey Andrew, thanks for the comment and I totally agree with you. Most thriller and horror films tend to lose much of their power after one or two decades, but this film has a little less than 40 years and is still chilling from beginning to end. It hasn't turned out cheesy or cheap, remains startling and realistic as when it came out and that says much about it, I think. Cheers.
Hey man! Amazing content. Glad to see people trying to make tarkovsky more approachable to the big audience. Could you share the lectures on film directing that you mention in the video? Im really interested in what tarkovsky had to say in that matter. Thanks!
Hola Luis, muchas gracias, it's great that you've enjoyed this content. As for the "Lectures on Film Directing", those are a set of notes taken from Tarkovsky's lessons at the VGIK, I assume by a student of his. I've only come across portions of these lectures, translated by different people into English, but luckily for you especially, since you're Spanish, some of these have been translated and published in Spain by Errata Naturae, under the title "Atrapad la vida: Lecciones de cine para escultores del tiempo". I know also that Elías Querejeta Film School is working with the Tarkovsky Institution to promote and disseminate at least 90-hour recordings of film lessons by Tarkovsky, and its the only institution in Spain working in this project. Hope I have been helpful, compañero. Saludos de Portugal.
Wow! Increíble. Muchas gracias por la información. Obrigado🙏🙏
Just got the 4K by Kino and now I want all.his films on 4K uHD. Looks incredible
Lucky man, wish I had that version too! And trust me, his filmography is truly worth having all in 4K.
The left ruins everything. They complain that a Greek Myth isn't realistic.
Unfortunately, I feel that if one pursues a viewing of cinema with political eyes and expecting it to conform to a personal political ideology, it will be very hard to recognise and take films at their individual, unique value, and to not come out disappointed.
@@PlanSéquenceFilmArt You said what I was trying say in a far more articulate way.
Not sure this film is for me, but I learn so much from seeing your perspective. I recently watched Godland, which might be comparable to this film for its rich cinematography. I hope you get around to sharing your thoughts on this film. It almost felt like a Cormac McCarthy novel, where the landscape is telling the story more than characters or conventional plot.
Brother, first of all thanks and, wow, I guess we share similar outlooks on film, I plan to have something on Godland in a near future. In fact, if you check my Instagram, I've posted many screenshots of Godland just a couple of weeks ago. Loved that film in fact. Cheers!
What the song at 11:00?